Poetry: Selections From David Anson Lee
Inventory
The estate
sale began at nine.
By
ten-thirty
someone had bought the blue mug
with the crack shaped like Florida.
A retired
teacher carried away
the lamp that blinked
whenever a storm approached.
The
grandchildren argued over nothing.
Three
folding tables sagged
beneath the archaeology of a life:
rubber
bands,
expired coupons,
keys to forgotten doors,
a receipt for strawberries
from fourteen years ago.
Nobody
wanted the hearing aids.
Nobody
wanted the cane.
Nobody
wanted the notebook
filled with passwords
to accounts already closed.
By noon
strangers
were carrying pieces
of a dead man
to their cars.
The
toaster.
The
fishing vest.
The snow
globe
containing a city
he had never visited.
At one
o'clock
a little
girl paid fifty cents
for his reading glasses.
She placed
them on her face
and laughed.
The world
became enormous.
The world
became clear.
The world
belonged to her.
The
cashier wrote SOLD
on another sticker.
The
afternoon continued.
Refrigerator
Light
Every
night
the
refrigerator waits for me.
Not the
food.
The light.
At
two-thirteen,
two-forty-one,
three-oh-six:
I open the
door
as though arriving
for a scheduled appointment.
Inside:
mustard,
half an onion,
yogurt approaching extinction.
Nothing
unusual.
Still,
I return.
The light
pours across the kitchen floor.
A
temporary moon.
An
artificial mercy.
I stand
there barefoot
holding the cold handle
like the rail of a ship.
Something
is missing.
Not milk.
Not eggs.
Not any
object
that can be purchased.
The
shelves offer no diagnosis.
The jars
remain silent.
The
vegetables
have withdrawn from discussion.
I close
the door.
Darkness
returns.
Thirty
minutes later
I try
again.
Surely
absence
must occupy space somewhere.
Surely
longing
has a visible form.
At dawn
the
refrigerator continues humming.
Patient.
Indifferent.
The light
waits behind the door
for the
next inspection.
For years
I have mistaken it
for an answer.
David
Anson Lee is a
poet, philosopher, and former academic ophthalmologist. Born on the Pine Ridge
Indian Reservation in South Dakota, his work often explores mortality, memory,
identity, medicine, and the uneasy intersections between modern life and the
human spirit. His poetry has appeared in numerous literary journals, including Right
Hand Pointing, Braided Way, Eunoia Review, Ink Sweat & Tears, Silver Birch
Press, Mouthful of Salt, and The Orchards. He lives in Texas.